The Goshawk, by T. H. White
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The Goshawk, by T. H. White
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This modern classic of nature writing by the author of The Once and Future King was an inspiration for and featured in Helen Macdonald's prize-winning H Is for Hawk.
"No hawk can be a pet. There is no sentimentality. In a way, it is the psychiatrist's art. One is matching one's mind against another mind with deadly reason and interest. One desires no transference of affection, demands no ignoble homage or gratitude. It is a tonic for the less forthright savagery of the human heart."
First published in 1951, T. H. White's memoir describes with searing honesty his attempt to train a wild goshawk, a notoriously difficult bird to master. With no previous experience and only a few hopelessly out-of-date books on falconry as a guide, he set about trying to bend the will of his young bird, Gos, to his own.
Suffering setback after setback, the solitary and troubled White nonetheless found himself obsessively attached to the animal he hoped would one day set him free.
The Goshawk, by T. H. White- Amazon Sales Rank: #171550 in Audible
- Published on: 2015-09-28
- Format: Unabridged
- Original language: English
- Running time: 297 minutes
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Most helpful customer reviews
33 of 35 people found the following review helpful. Great book. By Dale Ward Mr. White describes his experiences with training a goshawk for falconry. He has no guidance beyond an ancient manuscript and things go horribly awry. An outstanding book, a pleasure to read. Also an example of why current US regulations require a falconry apprenticeship period.
33 of 37 people found the following review helpful. A wondeful book By Peter Hill Thanks are due to New York Review Books for putting back in print this wonderful book. The edition is well produced. A quibble is that Marie Winn who writes the introduction is clearly not familiar with ,or comfortable with ,"field sports". T H White (and many modern writers and followers of fishing,falconry and related actities) would take issue with her distinction between being a natural history lover and a practioner of fishing,shooting,ferreting etc. More seriously, she writes that White "blithely snagged salmon". White fished for salmon and caught them fairly using a fly. He wrote many fine passages about his salmon fishing and the pieces are still found in anthologies of fishing literature. To "snag" a salmon means ,to those who fish ,that he took salmon illegally and unsportingly, by jerking a hook into the body of a salmon.There is no evidence that I have heard of that he would ever have done this.To suggest it does his memory a grave disservice. The introduction by Steve Bodio,himself a falconer, to the 1996 Wilder Places edition of The Goshawk is,to my mind, far better at exploring and explaining the reasons why this is a much loved book.
8 of 8 people found the following review helpful. Brilliant, but a little boring By Roger Brunyate I would not have known about T. H. White's memoir of trying to train a goshawk were it not for Helen Macdonald's wonderful analysis in H IS FOR HAWK, her recent account of training her own hawk. White, as he himself admits, does a lot of things wrong: feeding the bird far too much, for example. This horrifies Macdonald, and I expected it to horrify me too. But, because he is unaware of his mistakes at the time, what comes over has no cruelty in it whatsoever; frustration and occasional despair, yes, but otherwise just the very honest account of a lonely man's struggle to bond with this wild creature of the air.And beautifully written! Which surprised me a little, but I should have realized that the author of THE ONCE AND FUTURE KING (the source for CAMELOT and an inspiration for HARRY POTTER) would have pretty strong chops. But again, the amazing quality of Helen Macdonald's writing -- easily the best I had read all year -- had made me assume that no one could equal her. Wrong again! In fact, I realized that by embracing the comparison with White, Macdonald was writing for her life. "Goshawks were Hamlet, were Ludwig of Bavaria," writes White. "Frantic heritors of frenetic sires, they were in full health more than half insane. When the red rhenish wine of their blood pulsed at full spate through their arteries, when the airy bird bones were gas-filled with little bubbles of unbiddable warm virility, no merely human being could bend them to his will." For both writers, the elemental wildness of their captor-captive stirs them to flights of verbal magnificence on virtually every page. White, a former schoolmaster, calls upon a huge vocabulary -- words like banting, nasconded, silurian, circumbendibus, and perdue -- in addition to the technical language of falconry used by both writers: austringer, jesses, creance, bate, stoop, yarak, and the like. A further subliminal interest in White's writing is that this is the late 1930s, dictators every bit as imperious as White's hawk are flexing their talons over in Europe, and the idea of aerial combat to the death is no longer confined to the world of birds.The book is brilliant. But I have to say it is also a little boring. Good though White's writing is on the individual page, he is not nearly as good as Macdonald at giving the reader a sense of his progress overall. Perhaps because his mistakes are always sending him back towards the starting point, perhaps because of the journal format with day following day with little obvious pattern, I could never measure how far White had come towards his goal. And the last third or more of the book, which are mainly about White's efforts to trap birds of different sizes, lose momentum almost entirely. White is quite frank about his efforts as "a second-rate philosopher who lived alone in a wood, being tired of most humans in any case, to train a person who was not human," but of course the book is about the bird, not him. Macdonald's brilliance is to look into White's entire life, his homosexuality, his traumatic upbringing, and the sadistic tendencies he kept rigorously in check, to produce a psychosexual analysis that would have delighted Freud. Come to think of it, Marie Winn does something rather similar in her ten-page introduction to this edition, perhaps the best preface in any NYRB book that I have read. Either way, it needs this wider perspective. Without it, we get merely an elusive man in an ultimately frustrating struggle with an even more elusive bird. But a great writer.
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