The Millionaire and the Bard: Henry Folger's Obsessive Hunt for Shakespeare's First Folio, by Andrea Mays
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The Millionaire and the Bard: Henry Folger's Obsessive Hunt for Shakespeare's First Folio, by Andrea Mays
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Today it is the most valuable book in the world. Recently one sold for over five million dollars. It is the book that rescued the name of William Shakespeare and half of his plays from oblivion. The Millionaire and the Bard tells the miraculous and romantic story of the making of the First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession.When Shakespeare died in 1616 half of his plays died with him. No one—not even their author—believed that his writings would last, that he was a genius, or that future generations would celebrate him as the greatest author in the history of the English language. By the time of his death his plays were rarely performed, eighteen of them had never been published, and the rest existed only in bastardized forms that did not stay true to his original language. Seven years later, in 1623, Shakespeare’s business partners, companions, and fellow actors, John Heminges and Henry Condell, gathered copies of the plays and manuscripts, edited and published thirty-six of them. This massive book, the First Folio, was intended as a memorial to their deceased friend. They could not have known that it would become one of the most important books ever published in the English language, nor that it would become a fetish object for collectors. The Millionaire and the Bard is a literary detective story, the tale of two mysterious men—a brilliant author and his obsessive collector—separated by space and time. It is a tale of two cities—Elizabethan and Jacobean London and Gilded Age New York. It is a chronicle of two worlds—of art and commerce—that unfolded an ocean and three centuries apart. And it is the thrilling tale of the luminous book that saved the name of William Shakespeare “to the last syllable of recorded time.”
The Millionaire and the Bard: Henry Folger's Obsessive Hunt for Shakespeare's First Folio, by Andrea Mays- Amazon Sales Rank: #123565 in Books
- Brand: Mays, Andrea
- Published on: 2015-05-12
- Released on: 2015-05-12
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.16 pounds
- Binding: Hardcover
- 368 pages
Review “The Millionaire and the Bard weaves a thrilling tale of literary detective work, high financial stakes, and the vision of one man, Henry Folger, to preserve one of the great written treasures of civilization. A splendid debut by Andrea Mays.” —Amanda Foreman, author of Georgiana and A World on Fire“The Millionaire and the Bard is a riveting narrative history about Shakespeare taking root in America. Every page sparkles with crisp prose and smart insights. I find myself cheering for Henry Folger to procure the treasured First Folios. Highly recommended!” —Douglas Brinkley, author of Cronkite“A fascinating account of Henry Clay Folger’s obsession with the Shakespeare First Folio. Folger amassed the collection he had dreamed out, and it is now one of the greater glories of the library in Washington, D.C., that bears his name. The achievement is all the more extraordinary in that Folger was not born into a wealthy family or privileged class. Now the full story has been told in splendid detail by Andrea Mays.” —David Bevington, author Shakespeare and Biography and editor of The Complete Works of Shakespeare“[Mays] honorably resurrects this affluent, rapacious eccentric who became wholly consumed with the acquisition of a priceless bonanza of Shakespeariana. A methodical opuscomprising intensive memoir and inquisitive investigation.” —Kirkus Reviews“Effortless in its unadorned storytelling and exacting in its research. … The book is evocative in its characterizations of both the deified bard and dedicated bibliophile, finding its structure in the parallels between these two ambitious yet mysterious men. … “[A] page–turning detective story [that] speaks to anyone with a love of literary history.” —Publishers Weekly“Mays’ first book is utterly enthralling thanks to her deep sympathy with the Folgers and her fascinated, unstuffy prose.” —Booklist (starred review)“Fascinating … illuminating … poignant. … Recommended for all book lovers, Shakespeare fans, and anyone interested in America's Gilded Age.” —Library Journal“A love story . . . Fun and even suspenseful . . . Awell-researched and surprisingly engrossing account.” —The Wall StreetJournal“Riveting . . . Engaging . . . An American love story.”—Stephen Greenblatt, The New York Times Book Review“[Mays] book does a fine job of discussing how Folger went about acquiring his treasures and what those treasures were and why they are important in literary history . . . a really interesting book.” —The Chicago Tribune “The Millionaire and the Bard, Andrea Mays’ labor-of-love history of the Shakespeare’s First Folio and of Standard Oil executive Henry Folger’s obsession to acquire every possible copy . . . gives an exacting and very readable account of how the folio came to be — and how easily it might not have been.” —Dallas Morning News“Captivating [and] fascinating. … A great story, wonderfully told, that book lovers, readers and collectors will savor.” —Shelf Awareness“Snappy [and] enjoyable” —NPR“The life of a pathological book collector may sound boring, but rest assured, it isn’t. Mays’ narrative is so fast-moving, and peppered with such fascinating detail, that The Millionaire and the Bard almost reads like a thriller.” —Entertainment Weekly
About the Author Andrea E. Mays has degrees in economics from the State University of New York at Binghamton and from UCLA, and teaches economics at California State University at Long Beach. Like Henry Folger, she is a native New Yorker and has had a lifelong Shakespeare obsession. She spent much of her Manhattan girlhood in the New York Public Library listening to vinyl LP recordings of performances by the Royal Shakespeare Company. The Millionaire and the Bard is her first book.
Excerpt. © Reprinted by permission. All rights reserved. The Millionaire and the Bard
Prologue
“He was Not of an Age, but for All Time!” —BEN JONSON IT STARTED, as many great obsessions do, with an unremarkable incident, an encounter between a man and a book. It happened during the Gilded Age, in New York City. Henry Clay Folger was a recent graduate of Columbia Law School living in rented rooms, working as a clerk at a local oil refinery, and trying to make his way in the world. He walked into Bang’s auction gallery in Manhattan with, as he later admitted, “fear and trepidation.”1 The books to be sold that day overflowed from the shelves. As an undergraduate at Amherst College he had studied literature, including Shakespeare, whose plays he “read . . . far into the night.”2 He had continued reading for pleasure ever since. He saved every book he ever read. He had always been a collector. At college, he made scrapbooks for his most trivial ephemera, including theater and lecture tickets. But his hoarder’s impulse was still in search of a grand obsession. Henry had never bought a rare book. The closest he had ever come was when he purchased a gift for his young wife. She shared his literary enthusiasm, so he had bought her an inexpensive facsimile of the First Folio of the collected plays of William Shakespeare. He had never seen a real one. The old book that caught his eye at Bang’s was not, however, a coveted First Folio published in 1623, but to his amateur’s eye it seemed close. It was an authentic Fourth Folio, printed in 1685; it was a less valuable edition than a First. Its antiquity excited his fancy. He bid on the book until the auctioneer hammered it down to him for $107.50. He asked if he could pay in installments. When he took it home, he and his wife gazed at the familiar engraving of Shakespeare on the title page. They turned the thick, durable rag paper pages, and savored the familiar words of the plays they both loved, and which they had read many times before in cheap, modern editions. Holding that old book in his hands changed Henry Folger’s life, just as the publication of its first edition more than two hundred fifty years earlier had come to define its author’s. Soon, Folger found himself in the thrall of obsession. The young man who could barely afford a hundred-dollar book would spend a year’s salary for another one, and devote the rest of his life, and millions of dollars, to chasing the rare books he coveted. The apprentice clerk would rise in the world of Gilded Age titans—John D. Rockefeller, J. P. Morgan, Henry Huntington—and join them in a frenzied competition for some of the rarest books in the world. Soon, he would own more volumes than he knew what to do with. They would overwhelm his shelves, his rented rooms, and then his home, and fill secret warehouses and storage lockers to their ceilings. Before long, Henry Folger’s books would dominate his life. But in this ocean of books he prized one above all the others. Today, it is the most valuable book in the world. And, after the King James Bible, the most important. In October 2001, one of the First Folios sold at Christie’s for more than six million dollars. No more than 750 copies were printed, and two-thirds of them have perished over the last 391 years. Around 244 of them survive, and most of those are incomplete. Shakespeare’s First Folio—Folger wanted to own them all. As Victor Hugo wrote, “England has two books, one of which she has made, the other which has made her—Shakespeare and the Bible.” Published in London in 1623, Mr. William Shakespeares Comedies, Histories, & Tragedies revolutionized the language, psychology, and culture of Western civilization. Without the First Folio, published seven years after the playwright’s death, eighteen iconic works, including Macbeth, Measure for Measure, Julius Caesar, Antony and Cleopatra, Twelfth Night, The Winter’s Tale, and The Tempest would have been lost. Recognizing that every folio was superficially the same book but that each surviving handmade copy was in fact unique with its own idiosyncratic typographical fingerprint, binding, and provenance, Folger decided that the only way to rediscover Shakespeare’s original intentions and language—what he called “The True Text”—was to buy every copy he could find and subject it to meticulous comparative analysis. Believing that the mysteries of the folios could be fully understood only in the context of their time, he amassed an equally stupendous collection of artwork, books, letters, manuscripts, and antiquities from sixteenth- and seventeenth-century England. He wanted to own Shakespeare. And he did. He came to own more copies of the First Folio than anyone else in the world, more than even the British Library, the ultra-repository in Shakespeare’s homeland. Folger collected more than twice the number of copies known to exist in all of England. How this happened is more than the tale of one passionate bibliophile. It is a story of the Old World giving way to the New, of the power of modern economics and transatlantic trade, and of the irresistible democratization of taste. Everyone knows William Shakespeare. He was born in 1564, and died in April 1616. He wrote approximately thirty-nine plays3 and composed five long poems and 154 sonnets. He failed to publish his collected works—during his lifetime plays were considered ephemeral amusements, not serious literature. By the time of his death he was retired, was considered past his prime, and by the 1620s many of his plays were no longer regularly performed in theaters. No one—not even Shakespeare himself—believed that his writings would last, that he was a genius, or that future generations would celebrate him as the greatest and most influential writer in the history of the English language. Harold Bloom has argued that Shakespeare transformed the nature of man and created modern consciousness. If that is so, then the First Folio—not the works of Darwin, Marx, or Freud—is the urtext of modernism. If the Bible is the book of God, then Shakespeare is the book of man on earth. We use the words he invented, we speak in his cadences, and we think in his imagery. The epitaph that fellow poet Ben Jonson penned for William Shakespeare proved to be prophetic: “He was not of an age, but for all time!” Without the First Folio, the evolution from poet to secular saint would have never happened, and the story of that book is an incredible tale of faith, friendship, loyalty, and chance. Today, few people realize how close the world came, in the aftermath of Shakespeare’s death, to losing half of his plays. Henry Clay Folger, however, remains one of the least-known industrial titans of his time. Folger, from the twilight years of the Gilded Age through the comet’s arc of the Roaring Twenties, built the greatest Shakespeare library in the world, transporting it across the Atlantic piece by piece and hoarding it in thousands of unopened shipping crates, locked away in secret New York warehouses. And yet his life remains curiously unexamined. He is a forgotten man. This is a story of resurrection, of a magical book and two men, an American millionaire and an English playwright—the man who coveted the First Folio, and the man who composed it.
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Most helpful customer reviews
30 of 31 people found the following review helpful. Shakespeare Obsession By Nancy A. It was 11:00 pm and I was sitting up in bed reading, unable to put the book down, biting my fingernails in anxiety.I was not reading a thriller. No character was in a life or death situation.I had to laugh at myself. I was reading to see if Henry Folger's quest to purchase a rare Shakespeare First Folio was successful.The Millionaire and the Bard: Henry Folger's Obsessive Hunt for Shakespeare's First Folio by Andrea Mays was an informative and interesting read. Mays "tells the miraculous and romantic story of the making of the First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession."In Shakespeare's day plays were not published. The theater was about as well respected as network television is today. Paper was expensive and publishing was a long process. Plays were not 'set in stone' but adapted and altered and improved constantly. Without legal protection of intellectual rights a theater troupe's repertoire was jealously protected. Actors were given their lines, but no complete script circulated.Shakespeare wrote plays for twenty years then returned to Stratford where he died in 1616. It was seven years after his death that his business partners in the theater, John Hemings and Henry Condell, gathered all of his work to publish thirty six plays--the First Folio. The book took years to print, one page at a time, 750 copies, and took nine years to sell out.With each new publication of the Folios changes were made. Plays were added that were not by the Bard. Older folios were discarded, replaced by the new. The books ended up in personal libraries across Britain, often forgotten or unidentified.One of the Gilded Age's nouveau riche industrialists was William Clay Folger, who worked with Standard Oil. He didn't make unlimited money like his employer John D. Rockerfeller. Folger and his wife Emily agreed in their early marriage to live frugally, keep their lives private, and to spend all their money on Henry's dream of building a world-class collection of Shakespeareana. Mays chronicles Folger's life long quest for all things Shakespeare with particular consideration on his First Folio acquisitions. He ended up with a third of the surviving, known First Folios. Folger was lambasted by the Brits for taking their native son's legacy out of country.The Folgers put their collection away in warehouses across New York City, unseen for years, until in 1932 the Folger Shakespeare Library was built in Washington, D.C.Mays points out that Folger is an example of hoarding 'done right'. The Folgers' ashes reside in the library along with their collection.I enjoyed reading about Shakespeare's career, how books were published, the early collecting by Folger, and the building of the library. Because he bought so many First Folios it would get tedious reading about each sale, but the lesser important Folios are quickly noted. I also found interesting the viewpoint on the Standard Oil antitrust act and Ida Tarbell's journalistic attacks--a far cry from how things were perceived in The Bully Pulpit by Goodwin from the perspective of Teddy Roosevelt and the McClure's magazine staff.I received a free ebook from the publisher through NetGalley in exchange for a fair and honest review.
23 of 25 people found the following review helpful. Brilliant page-turner about the obsessive qualities of Henry Folger to acquire every known copy of Shakespeare's First Folio. By Veritas With painstaking scholarship and attention to detail, Andrea Mays effortlessly captures the largely untold story about how one man, Henry Folger, and his passion for Shakespeare and the publication of the First Folio, grew into a lifetime quest. In this, her first book, Ms. Mays, transforms a rather mundane story of acquiring 82 copies of this monumental Shakespeare publication in the history of printing, into a compelling account of an obsessive book collector’s pursuit of the seemingly impossible.Ms. Mays devotes many of her opening chapters to Shakespeare’s life, his times, and his writings, as well as the publication of his plays – years after his death. She takes both readers new to Shakespeare’s story, and those with much knowledge, on the journey which fast forwards to the arrival of Henry Folger, and other American collectors who elevate Shakespeare enthusiasm in the United States at the beginning of the 20th century.Ms. Mays not only establishes herself as an unquestionable Shakespeare scholar, but also demonstrates an uncanny ability to capture the spirit of bookbinding, book collecting, and antiquarian book selling the world over. Her book is highly recommended for both students of Shakespeare, and for those who are interesting in an extraordinary book collector during the age of the “robber-barons” who devoted his time and money to lay the foundation for the creation of the Folger Shakespeare Library in Washington, D.C.
16 of 17 people found the following review helpful. An exhilarating and entertaining read! By Kindle Customer I couldn't put this down. I dropped it once, but that was by accident. Mays has taken a story about an eccentric, publicity - shy, hard-working, happily married, obsessive compulsive man and turned it into a ripping yarn. While her scholarship and meticulous research is evident, the minutiae never bogs down the narrative. I learned something in spite of myself.
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