The Art of Forgery: The Minds, Motives and Methods of the Master Forgers, by Noah Charney
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The Art of Forgery: The Minds, Motives and Methods of the Master Forgers, by Noah Charney
Best PDF Ebook The Art of Forgery: The Minds, Motives and Methods of the Master Forgers, by Noah Charney
The Art of Forgery: The Minds, Motives and Methods of the Master Forgers explores the stories, dramas and human intrigues surrounding the world's most famous forgeries - investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.
The Art of Forgery: The Minds, Motives and Methods of the Master Forgers, by Noah Charney- Amazon Sales Rank: #133763 in Books
- Brand: Charney, Noah
- Published on: 2015-05-12
- Original language: English
- Number of items: 1
- Dimensions: 9.63" h x 1.25" w x 6.25" l, .0 pounds
- Binding: Hardcover
- 296 pages
Review
"Charney truly hits stride when describing the forgers..as the world of forgery is infinitely colorful."―Bloomberg.com
"A fascinating account. "
―Washington PostAbout the Author
Noah Charney is a professor and an international author of fiction and non‐fiction, specializing in the fields of art history and art crime. He is the founder and president of ARCA, the Association for Research into Crimes against Art, a non‐profit research group on issues in art crime. His work in the field of art crime has been praised in such international forums as the New York Times Magazine, Time Magazine, BBC Radio, National Public Radio, El Pais, Vogue, Vanity Fair, Playboy, Elle and Tatler among many others. He has appeared on radio and television as an expert on art history and art crime, including BBC, ITV, CNBC and MSNBC. Charney is the author of numerous articles and a novel, The Art Thief (2007).
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Most helpful customer reviews
27 of 31 people found the following review helpful. (And the book provides a wealth of beautiful illustrations/photos. ) By trevornewland This book contains a wealth of information and Charney, with his thorough knowledge of art history and contemporary criminal activity related to art theft/forgery, delivers quite a riveting read. The book explores an ecclectic mix of rascals who are more interesting than less quirky fictional characters one might find in a fictional film or novel. Time well spent. (And the book provides a wealth of beautiful illustrations/photos.)
8 of 9 people found the following review helpful. ample motivations for the revenge of the forgers By RPF The layout of the book is unconventional, but the material itself is fascinating. This, like the recent movie "Big Eyes" and the works of contemporary artists like Banksy and Koons stimulates the age-old debate of what art "is". Aristotle's definition (pg. 108) seems amazingly accurate over 2,000 years later. Because so much is covered in such a brief manner, it certainly will lead me to more detailed books and primary sources amply provided in Charney's "Selected Bibliography." I find the effects of mass psychology (the willingness to be fooled that greed begets), institutional jealousies, the arrogance of the "connoisseur" class, and the exclusivity of gallerists - all fascinating - and all ample motivation for the revenge of the forgers.
6 of 7 people found the following review helpful. The best book of its kind By Jay Dillon Having unmasked a few forgeries myself, and having read deeply and widely on the subject for years, I can say flatly that this is the best book of its kind: It’s an outstanding survey of a difficult field rich with subtleties, enlivened by numerous case-studies remarkable for their concise presentation, all arranged in a sensible, thematic way with discussion, conclusions, and adequate notes. Moreover it’s eminently readable: I read it in a day; I could hardly put it down, and now I’m reading again.My only wish is that Charney had given more space or emphasis to the ways in which forgeries harm *everybody* — not just by cheating rich buyers and their agents, not just by ruining a few reputations, nor even by distorting whole markets, but really by polluting our common culture in general, by messing with objective truth.Some attention, too, might have been paid to the ways in which mathematical probability — or at least the impression of it — can unmask forgeries: How likely is it, for example, that three examples of a signature, or three drawings ‘by’ a given artist, will appear on the market within a few years of one another, when none had been seen for a generation before? There must be examples of such cases, and it would be good to see them. The Wise forgeries come to mind..
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