Disclaimer: A Novel, by Renée Knight
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Disclaimer: A Novel, by Renée Knight
Free Ebook PDF Disclaimer: A Novel, by Renée Knight
A brilliantly conceived, deeply unsettling psychological thriller— already an international sensation—about a woman haunted by secrets, the consuming desire for revenge, and the terrible price we pay when we try to hide the truth.
Finding a mysterious novel at her bedside plunges documentary filmmaker Catherine Ravenscroft into a living nightmare. Though ostensibly fiction, The Perfect Stranger recreates in vivid, unmistakable detail the terrible day she became hostage to a dark secret, a secret that only one other person knew—and that person is dead.
Now that the past is catching up with her, Catherine’s world is falling apart. Her only hope is to confront what really happened on that awful day . . . even if the shocking truth might destroy her.
Disclaimer: A Novel, by Renée Knight- Amazon Sales Rank: #18478 in eBooks
- Published on: 2015-05-19
- Released on: 2015-05-19
- Format: Kindle eBook
Review “Let me now acknowledge having done what thriller writers love doing: burying the lead. It’s Disclaimer that turns out to be the Gone Girl of the season.” (Janet Maslin, New York Times)“Disclaimer is something special. . . an outstandingly clever and twisty tale that’s been perfectly engineered to make heads spin.” (Janet Maslin, New York Times)“Sensationally good psychological suspense…exactly what a great thriller should be.” (Lee Child)“Renée Knight’s debut book is being compared with Gone Girl. . . . A chilling premise.” (Wall Street Journal)“With pitch-perfect pacing and alternating narrators that leap off the page, Disclaimer is both a page-turning mystery and an artful exploration of the explosive intersection between marriage and motherhood, revenge and regret. A wonderfully compelling book.” (Kimberly McCreight, New York Times bestselling author of Reconstructing Amelia)“The marvel of…Disclaimer is that it just about lives up to its unusually gripping premise…[and] forms a trinity alongside Gone Girl and The Girl on the Train as the best of domestic noir.” (New York Daily News)“Disclaimer stealthily steals your attention and by the end holds you prisoner—a searing story that resonates long after the final page. The best thriller I’ve read this year.” (Rosamund Lupton, New York Times bestselling author of Sister and Afterwards)“Knight’s pace…nuilds momentum and ends with a series of breakneck plot twists and surprises.… A seriously unnerving roller coaster…. It’s also a surprisingly sophisticated examination of marriage, motherhood and memory, as well as—naturally—guilt, grief and revenge.” (Richmond Times-Dispatch)“A mysterious book within a book, which contains potentially damning information about the protagonist, jump starts this remarkable debut by British scriptwriter Knight....This unsettling psychological thriller about guilt and grief briskly moves to a shocking finale enhanced by its strong characters.” (Publishers Weekly (starred review))“The first requirement of a fabulous summer read is that it should be too enthralling to put down. Disclaimer meets that requirement mightily.… A gripping, well-written story for those who aren’t afraid of the darker side of summer reading.” (Charleston Gazette)“Knight’s elegant plot and compelling…characters keep the heart of the novel beating.… Atmospheric and twisting…a page-turner. An addictive psychological thriller.” (Kirkus Reviews)“This debut British psychological thriller engages the reader from page one; mystery aficionados will dash to finish it in one sitting. Deliciously captivating, brilliantly twisty, and enticingly addictive, it hits the trifecta for a strong thriller!” (Library Journal (starred review))“Knight plays with our allegiances in this juicy domestic noir.” (BookPage.com)“This is a good psychological thriller with the ever-popular unreliable narrator, in this case two of them, along with lots of family drama. Sure to appeal to fans of Before I Go to Sleep, by S. J. Watson.” (Booklist)“A terrific novel with a brilliantly creepy central premise. One of the best debut thrillers I have ever read.” (Paula Daly, author of What Kind of Mother Are You?)“The control of the reader’s sympathies, the construction and pacing and the interweaving of [the] narratives, past and present, are remarkably accomplished in an addictive novel that has parallels with Gone Girl, but shows no sign of brazenly jumping onto that book’s bandwagon.” (London Sunday Times)“New authors need to stand out and Renée Knight has a doozy of an opening for Disclaimer…. Why is the driving question here, not how or who, and it’s really well done.” (Globe and Mail (Toronto))“Disclaimer by Renee Knight is an obsessive read. It is not a book to be read a chapter at a time, but one that demands to be devoured at once.” (NY Journal of Books)“Unsettling…. The ending delivers more than one emotional wallop. Readers’ feelings about each character will likely be upended as they’re reminded that sometimes people commit atrocious acts out of love, and those who behave abhorrently can also be honorable.” (Shelf Awareness (starred))“A brilliantly conceived, deeply disturbing psychological thriller about a woman haunted by secrets-and the price she will pay for concealing the truth.” (Quivering Pen)“Knight stretches the limits of. . . human emotions and struggles. . . [leading] the reader to a satisfactory and shocking conclusion.” (The Life Sentence)“Knight has twisted a story of decaying love, and built a psychological suspense tale that raises the hair on the back of your neck.… If psychological suspense is what interests you, look no further.” (BlogCritics.com)“Unsettling, yet impossible to set down…. A captivating read you’ll find lingers with you long after the final page has been turned.” (BookLoons.com)
From the Back Cover
“Sensationally good psychological suspense. . . . exactly what a great thriller should be.”—Lee Child
What if you realized the terrifying book you were reading was all about you?
When a mysterious novel appears at Catherine Ravenscroft’s bedside, she is curious. She has no idea who might have sent her The Perfect Stranger—or how it ended up on her nightstand. At first, she is intrigued by the suspenseful story that unfolds.
And then she realizes.
This isn’t fiction.
The Perfect Stranger re-creates in vivid, unmistakable detail the day Catherine became hostage to a dark secret, a secret that only one other person knew—and that person is dead.
Now that the past Catherine so desperately wants to forget is catching up with her, her world is falling apart. Plunged into a living nightmare, her only hope is to confront what really happened on that terrible day . . . even if the shocking truth might destroy her.
About the Author
Renée Knight worked for the BBC directing arts documentaries before turning to writing. She has had TV and film scripts commissioned by the BBC, Channel Four, and Capital Films. In April 2013, she graduated from the Faber Academy “Writing a Novel” course, whose alumni include S. J. Watson. She lives in London with her husband and two children.
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Most helpful customer reviews
91 of 104 people found the following review helpful. Does this season's runaway bestseller live up to the hype? By Sue Kichenside Disclaimer is billed as the new Girl on the Train which was billed as the new Gone Girl. Does raising expectations to such a degree inevitably lead to disappointment? Well, admittedly, the initial premise of the main protagonist coming across herself in a novel is enticing. But Ms Knight then proceeds to toy with the reader, on and on she teases, until it's hard to escape the feeling that we are being unduly and rather meanly manipulated.It is immensely difficult to engage with any of these characters. It's not a matter of them being dislikeable (they are) but something more fundamental in that they fail to ring true on any level. This produces a don't-care-two-hoots response from the reader that is, frankly, fatal. Towards the end, they all perform such a volte-face that they become - if this is indeed possible - even more implausible.The odious ins and outs of the plot left me feeling faintly grubby and I was pleased to wash my hands of the whole thing. So no. Not as good as The Girl on the Train or Gone Girl. Though it certainly thinks it is.
56 of 64 people found the following review helpful. Disclaimer By S Riaz Catherine Ravenscroft is a person who seems to have an almost charmed life, when we first meet her in this novel. She is married to husband Robert and both of them have a successful and high status career – Robert in law and Catherine in television documentaries. They have one grown son, Nicholas, who has not quite lived up the expectations they wanted for him; but he has moved out and is living an independent life. So, Catherine in 2013 is a respected and loved woman, who has recently moved house and is looking forward to the future. However, a book seems to have appeared in her new home – left seemingly in a pile by her bed, with the disclaimer, “any resemblance to persons living or dead…” neatly crossed out with red ink.As Catherine reads the book, she realises that the main character is supposed to be her and that the story revolves around an incident which happened many years ago. Now Catherine is fearful of who knows the secret she has carefully guarded all these years. This thriller weaves an interesting storyline, revolving around Catherine and her family and Stephen Brigstocke; a retired teacher, who is determined to destroy Catherine’s life. It is difficult to review the book without revealing the plot and I have no wish to spoil your enjoyment of a thriller which is certain to be a big success in 2015. Catherine is a capable woman under attack, while Brigstocke is a creepy and insidious opponent. This has a lot of twists and turns, great characters and will keep you turning the pages until the end. A good debut and I look forward to reading more from this author.
41 of 46 people found the following review helpful. Disclaimer - any resemblance to Gone Girl is purely coincidental By Roni Jordan Of course the inevitable comparisons to Gone Girl are being made, initiated by Janet Maslin's brief review in the NY Times. The two stories are of the same genre - suspenseful thrillers told in alternating voices by two opposing characters, with an enormous deceit being perpetrated by one character to punish another. There I feel the similarities end. Disclaimer has so many more layers of interest and character development - the dynamics of two marriages deeply affected by the secret at its center, and two young sons whose lives are flung off-course by the best of parental intentions. The first half of the book made me hunger to know how Catherine, the victim, and Stephen, the perpetrator, were connected and from whence his hatred of her had sprung. Once that is revealed, the story accelerates around surprising hairpin turns of truths, shifting sympathies for the characters, and a conclusion that felt both just and logical. Thoroughly enjoyable read, and I look forward to the film, for this was truly one worthy of bringing to the screen.
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